Tuesday, January 3, 2023

Dead Snow

 


Something I've heard many times while discussing horror-comedy movies is that the best ones make the scary moments scary and the funny moments funny. Dead Snow is perfect in that regard. There are some funny moments that are timed perfectly to break tension. It has some scary, intense, and suspenseful moments to go with that as well. I enjoy the zombie mythology here in that it is almost as much of an Indiana Jones nazi-ghost-story as much as it is a zombie movie. It has the classic horror setup of going to a cabin with some likable characters. The practical blood and gore effects are great. Like Romero's zombie movies the zombies have some personality and are memorable in their own right. The only flaw is some of the CGI blood splatter and effects that are now conspicuous upon rewatch. Tommy Wirkola and others had many inspirations in mind and all of them work as homage while still creating their own take on those inspirations. 

Synopsis: A party of eight Norwegian medical students travel to a remote Arctic mountain for an Easter weekend filled with skiing and relaxation. After one of their group disappears while on a solo cross-country hike, a mysterious local resident (Bjørn Sundquist) tells the remaining visitors that, in the waning days of World War II, a battalion of Nazi soldiers disappeared into the nearby woods after the residents turned on them, and that their zombified corpses remain on the prowl in the area.

I like how the movie starts with both the men and the women in the friend groups talking about each other. The eight medical students who go to the cabin are Sara, her boyfriend Vegard, Roy and his girlfriend Liv, Martin and his girlfriend Hanna, and the two single people, the movie-loving Erlend, and the beautiful Chris. The women are more nonchalant while the men are much more braggadocious. I like the men talking about "is there any chance of rear entry," and calling Chris "very single." That feels like real conversations men would have but also cinematic. Early on there are many scenes of them tobogganing, snowmobiling, racing with sleds, playing Twister, and talking about movies in a meta way. I enjoy these characters a lot and probably as much as any horror movie that starts with characters going to a cabin or an isolated location. That is something made slasher movies great is having time characters and this could have been just as great of a slasher movie if that is the route the filmmakers had chosen. I also love the hard rock and metal soundtrack throughout. Compared to movies like Shredder and Cold Prey that have similar soundtracks this takes the cake as the best of those 2000s horror movie hard rock soundtracks. 


Vegar Hoel as Martin and Stig Frode Henriksen as Roy


Jenny Skavlan as Chris


Charlotte Frogner as Hanna


Jeppe Beck Laursen as Erlend









The movie changes tone when the local comes and tells them the story about the nazis. The opening scene of the movie was Sara getting hunted down by the zombies. I like how scary that scene is as you don't know until a certain point she is being hunted by zombies. You assume it could be an animal or something until the end of the scene. After he tells this chilling story Roy gives the scene some levity by saying something like well we haven't discovered the cure for evil yet to which the local grabs him. That is the type of comedy in this movie where serious moments will be undercut with good timing. There is a moment later where they have made these molotov cocktails and Roy throws one into the side of the wall. There is another funny moment during the siege scene in which a break happens and Roy says "we should have gone to the beach!" Moments like that are so well timed. 

There are some great suspense moments as well. The moment where the local is in his tent and he goes outside after hearing something and sees the one zombie with his flashlight and is killed is really well done. The moment where Chris is in outhouse and the zombies are prowling around outside is great. Contrast that with the scene before where Chris sneaks in to have sex with Erlend. That is one of many moments you know the filmmakers wanted as they probably related to Erlend's character and wanted him to be the one to get the hottest girl in the movie. There are some flirty moments between the two before that scene though. When they march to the cabin Erlend brings up how many horror movies start with friends going to a cabin and Chris talks about April Fool's Day. Later when they find the gold underneath the floorboard they both say "fortune and glory," quoting Indiana Jones. Like I said I enjoy these characters and even Martin and Hanna have a cute relationship. There is that montage of character moments early on where they are seen eating hot dogs and they are shown to be quite in love. Speaking of Hanna she is one of the only women I've seen who look pretty hot in dreadlocks so she's got that going for her. 

There is an awesome siege scene where the zombies show up. Chris is killed right before she can get to the house in an intense and suspenseful scene. Erlend is grabbed through one of the windows and torn apart in one of the best Tom-Savini-type practical effects in the movie. Later the group splits off as Martin and Roy plan to lure the zombies toward them and Hanna and Liv go off to get help. Vegard had gone off on his own to look for Sara and eventually fell into a chasm where he found her dead body along with nazi paraphernalia and weapons. He eventually gets to fight two zombies, including a great scene where he goes off the cliff with one while holding onto the unfurling intestines of another he stabbed into a tree. That was something I had not seen in a movie before. It is somewhat coincidental timing that the first two Hatchet movies came out around the same time and featured a killer killing someone with their own intestines. 

The second half has some awesome zombie carnage including zombies killed with chainsaws, grenades, sledgehammers, sickles, MG-34 machine guns mounted to snowmobiles, and axes. Every trauma you would want to see happens. Limbs are cut off, eyes are stabbed. In terms of carnage this has some of the best zombie carnage you could want. As I said previously the zombies in this are memorable. Ørjan Gamst plays the leader of the zombies, Herzog and he has a Maniac Cop look to him where he looks lively despite being undead. The denture prosthetic he wears is a nice touch. These zombies also use weapons and know how to fight which adds some credibility while making them scarier. Anyone who doesn't think fast zombies are scary should watch this because they seem infinite in number but no one can seem to outrun them either in this movie. 


Orjen Garnst as Herzog













Spoiler Section













There are some harrowing moments in the second half of this movie. Almost everyone has a harrowing or brutal death. In something straight out of The Descent Martin goes on a killing spree and accidentally stabs Hanna in the throat when he turns around thinking she is a zombie. Vegard gets torn apart. There is some unfortunate CGI to some of those torn body parts but nonetheless it is effective. Liv gets run down and is forced to watch zombies eat her and then blows herself and them up with a grenade. Roy runs into a tree branch and is smacked in the head before being run down and eaten. Martin gets back to gold and returns it but doesn't realize one piece is in his jacket and has his car broken into by Herzog as the movie ends. 

I haven't talked much about some of the other stuff I liked. I always like blood effects that do something memorable. The scene where Vegard stitches up his own throat while some blood sprays out. I do like him using the duct tape to seal it up. That was awesome. I enjoy all the blood that keeps adding to his white jacket. I always like how blood looks different on different surfaces and colors. The scene where Martin amputates his own arm, a really intense moment followed by him immediately getting his balls bitten off is hilarious. The best horror-comedy moment maybe ever. I do like how none of these characters deserve to die and then when they get it you aren't happy though some of them die in awesome and memorable ways. The sin these characters commit is ultimately not letting the past evil of the area rest. Like many horror movies, like The Evil Dead, curiosity is what gets them killed. There are other moments that felt like homages to other movies. The shot of the zombie slowly rising up behind Vegard while out of focus is exactly like the shot of Michael Myers rising up behind Laurie Strode in Halloween. I also like seeing zombies rising from the snow instead of the grave. A welcome change to a trope. This is one of the best zombie movies of the 21st century, as well as one of the best horror comedies of the same time. 

Rating: 9/10 Give me completely practical effects and cut out of that CGI and this would be a 10. Maybe some nudity as well. I'm not complaining with what we saw of Chris but actual nudity and feels like a necessity for a movie like this. 


Trivia: The character of Erlend wears a t-shirt prominently featuring the words "Brain Dead" in English. Erlend's demise at the hands of a zombie is exactly the same as the first zombie kill in the low-budget New Zealand film Dead Alive (1992)--the zombie gouges the victim's eyes and splits the skull in half.





Monday, January 2, 2023

Terror Train (1980)

 


Some 80s slashers that are low on blood and gore and innovative kills are becoming a little stale to me on rewatch. I have to put myself in the mindset of the time and remember that something like this was considered more visceral. What Terror Train does have going for it is its gimmick. John Kenneth Muir has written that this movie is all about illusion versus reality. That is reflected in the magician show being a big part of the movie. It also shows in how they cut away from certain kills and how you have to imagine what happened in almost all of them. Like some other 80s slashers it is another movie I would want to be in if I didn't get killed. The best slashers are fun movies outside of the slashing. Roger Spottiswoode, often Sam Peckinpah's editor, and John Alcott, often Stanley Kubrick's cinematographer, photograph this movie quite well. I don't like the choices of when the cuts are made on the kills but a lack of special effects and MPAA ratings at the time can be blamed for that as well. What can't be denied is that there are great suspense sequences, and the movie feels exactly like the experience of being on a train. I did enjoy how the killer took people's masks after he killed them. 

Some other slasher movies like Prom Night or Valentine have the same kind of prior evil of a prank gone wrong. In this case I didn't feel the need to root for the killer because of that. In Prom Night I usually root for the killer just because the prank caused someone to die. In this case Kenny seemed to all ready have mental issues before this prank. His reaction is extreme and what he decides to do for revenge is extreme. The effects of that cadaver they put in the bed are actually the best effects in the movie. That tells you something about the kills in this. Kenny (Derek McKinnon) is the victim of this prank that Doc (Hart Bochner), Ed (Howard Busgang), Jackson (Anthony Sherwood), Mo (Timothy Webber), and Alana (Jamie Lee Curtis) play on him. The boys tell him that Alana is interested in him and lead him into the room where Alana says sexual things to him behind a bed curtain. He unveils the curtain to reveal a dead cadaver and proceeds to react manically.

Three years later the same medical students are having a New Year's Eve costume party on a train. Before they can even board the train Ed is killed by getting stabbed with a sword. What is interesting though is, as they board the train they see Ed and think he is just playing a joke. This starts the theme during the kills of illusion versus reality. People think one thing but it may be something different. Later when someone dies right next to Doc he is trying to get help but a crowd of people think it is a joke. The movie even does that with the audience. Some of the cutaways make you unsure if someone has actually been killed or not. The killer starts taking people's masks in a clever gimmick. Speaking of clever gimmicks, cutting away from the kills is actually a clever gimmick to disguise cheap filmmaking though it does have a point in this movie. This movie does have some of the most bloodless and offscreen kills of any slasher. 




Some of the masks the killer wears and seeing them are better than the actual kills







Despite that I enjoy the setting of this film and there are some great suspenseful moments and character moments. I think of the moment with Doc alone in that compartment where he knows the killer is there but can't find him anywhere. The moment when Lana locks herself in an office with the killer outside and the whole chase between them through the train. Ben Johnson brings some ethos to this as the conductor. Notice how the killer never tries to tussle with him until the end. I do like that many slasher movies will often try to cast someone with some credibility to prop up the other actors around them. David Copperfield is part of the gimmick and I do like the magic trick he pulls with the cigarette through the quarter. Seeing him play a character and not just himself was unique. It was nice to see Vanity play another one of the college students. There are some fun moments where Doc and Mo flirt with some women saying stuff like we need to do an exploratory we're gonna be gynecologists soon. 

While most slasher movies that aren't whodunits don't do a good job with mystery this one does something clever. The murderer is Kenny. That is obvious. What isn't obvious is who he actually is and where he is on the train. On rewatch I don't see how I was fooled but some initial viewers may not catch it. It goes again with the illusion versus reality theme because you may look somewhere and say hey that person looks familiar but I'm not sure from where. I also like moments in slasher movies like this where the characters realize why they might be targets for a killer. It happens in this and I like that. I also enjoy anytime Ben Johnson is on screen. I enjoy the card trick he keeps trying to get people with. 

Rating: 7/10 Like i said the kills are time but I still have a lot of fun with this one. 


Kill Count, brought to you by Dead Meat: https://www.youtube.com/watch?v=9yHW5ueFs9k

Trivia: The idea for Terror Train (1980) came from a dream that Daniel Grodnik had. One weekend night after seeing the films Halloween (1978) and Silver Streak (1976), Dan woke up and said to his wife, "What do you think about putting Halloween on a train?" His wife answered, "That's terrible". He jotted down "Terrible Train" on a piece of paper on his nightstand. In the morning, he changed the title to "Terror Train", wrote up 22 pages, and made a deal on it with Sandy Howard's company at 3:00 in the afternoon.


SLASHER MOVIE ANATOMY:

  • Prior Evil: Prank gone wrong. Unstable person pranked by frat college guys wants revenge.
  • Body Count: 10
  • Whodunit: Yes and no. I think as a viewer you know it is Kenny but you aren't sure what he looks like until the end reveal.
  • Mask or outfit: Groucho Marx and other masks he takes from the victims. Lizard and witch hag mask.
  • Locale or organizer: Train
  • Best Kill: Sword to the chest
  • Famous person: David Copperfield
  • Credible actor: Ben Johnson

INSTRUMENTS OF DEATH AND SLASH COUNT

  • Offscreen presumed dead and unknown: 2

  • Off screen throat slit: 1

  • Offscreen decapitation: 1

  • Offscreen kill with bloody aftermath: 1

  • Sword: 3 (1 onscreen)

  • Falling from the train: 1

  • Head bashed into mirror: 1

  • SLASHER MOVIE TAXONOMY

  •         Kingdom: Post Halloween, initial 80s slasher
  •         Phylum: Serious, but a focus on illusion and magic makes it fun
  •         Class: Slasher set on train, New Years Eve, college students
  •         Order: 1980
  •         Family: One woman shows upper body nudity
  •         Genus: Great atmospheric setting, active help from the authority figure, Ben Johnson is just as much the main character as Jamie Lee Curtis is
  •     Species: Medium on screen body count, minimal effects work, some bloody aftermath shots, fun setting, killer wearing different masks he gets from victims.









The Big Doll House

  A smorgasbord of exploitation and sexploitation, THE BIG DOLL HOUSE is a fun women-in-prison movie. While there is enough violence, tortur...